How to Draw a Cool Diamond
Drawing a diamond may seem intimidating—any design of this gem is extremely complex. The practiced news is that in that location is a stiff logic backside the arrangement of the diamond's facets.
Mined rough diamonds are converted into gems through a multi-step process called "cutting". This process is traditionally considered as a delicate procedure that requires skills, special tools, scientific knowledge, and experience. The final goal is to produce a faceted jewel where the specific angles between the facets optimize the dispersion of white low-cal.
A diamond cut is a style or blueprint guide used when shaping a diamond for polishing; this notion refers to the symmetry, proportioning and shine of a diamond.
In this tutorial, we'll explore and stylize the nigh popular manner—a circular cut diamond—in 2 different foreshortenings.
What You lot Will Need
You lot will demand the following equipment to consummate this project:
- a graphite pencil (I recommend using an HB or H type)
- a pair of compasses
- a protractor
- a ruler
- an eraser
- an ink pen (an optional tool)
- drawing paper
1. How to Draw a Diamond in a Peak View
Step 1
I mark a indicate; allow's agree that its proper noun will exist the point O.
I use it equally a central point to describe a circle of an capricious radius. A pair of compasses is a nifty tool for creating an even circumference.
Step 2
I draw two perpendicular dashed lines going through the cardinal signal.
Step 3
I split each sector of the circle in half. An like shooting fish in a barrel way to exercise it is to find the angles of 45°, using the protractor. At present we have eight points of intersection with the circumference.
I also mark the points A and B to make further explanations visually clear.
I connect the points A and B with a dashed line, using a ruler.
Step 4
I describe a perpendicular line going from the center of the circumvolve to the AB segment, and and then extend the line in the opposite management.
The point D marks the place where this line meets the circumference.
Step v
I join the points of intersection with a dashed line to create an octagon.
Step 6
I divide the sectors of the circle in half once more.
Step vii
With a ruler, I measure out the length of the OB segment, and then notice its approximate ane-quaternary part and mark information technology with the point C.
Delight note that this value may vary—sometimes diamonds of the aforementioned design look different. Cutting a diamond is a science, simply information technology's also an fine art!
Pace 8
With the compasses, I measure the length of the OC segment and add seven more points to other dashed lines, creating new segments of the same length as the OC is.
Footstep 9
I connect the points C and D.
I join the indicate D with the point on the right side to create an angle or a elevation.
I echo connecting the points; now we take a star shape.
Step x
I overlay the dashed lines that are located betwixt the star's peaks with the unbroken strokes.
Step 11
I mark the signal E; it is located at an arbitrary distance from the circumvolve's center.
Then I measure the length of the OE segment and marker the new points that are equidistant from the center.
Step 12
I join the points C and E.
I connect more points to create another star-like shape.
Step xiii
I connect the points E and F.
I complete the set of segments that forms a new figure inside the circle.
Step 14
With an ink pen, I outline the shape of the diamond and erase the subsidiary pencil marks. The cartoon is complete!
2. How to Draw a Diamond in a Side View
Footstep one
I draw a straight line, using a ruler. My line's length is ten cm—knowing the exact value is beneficial for the next steps because we volition be making some measurements.
Please exist sure to exit enough space for the lower function of the diamond.
Stride ii
I add another straight line (the distance betwixt the lines is 5 mm) and connect them. At present we have a narrow, elongated rectangle—it's the draft shape for the diamond's girdle.
Stride iii
With a protractor, I find the 45° angles and draw 2 lines. They will intersect at some point and create a bones shape of the diamond'southward pavilion.
The value of 45° is considered an platonic pavilion bending—information technology gives the best low-cal performance, but there are many examples that don't conform to the standard (deep or shallow variants).
Step 4
It's time to construct the diamond's upper part, the crown. I find the angles of 34° (again, this value may be dissimilar) and describe two diagonal lines of 2.5 cm each.
Step 5
I add a straight line to create the table of the diamond.
Step half-dozen
I depict a dashed line that divides the diamond in half. This will be our reference line to make sure that everything in the cartoon is symmetrical.
Step 7
I create the subsegments inside the OA segment. The get-go three parts have a length of approximately 1.6 cm, and the quaternary part is very short.
I also give the names A, O, and B to the points of the shape to make the demonstrations easier.
Stride 8
Let's concur that the starting signal of the first subsegment of the girdle is the point C.
I connect the points B and C.
So I join the points on the opposite side of the shape, every bit if I'thousand mirroring the design.
Step 9
I divide the CB segment into three approximately equal parts and mark the lower ane with the point D.
Footstep 10
I connect the points D and O. And then I join the signal D with another point on the left side (information technology'southward the betoken E in the illustration beneath).
Step eleven
I reproduce this set of lines on the opposite side of the shape.
Footstep 12
I add the point F; information technology should exist on the same imaginary line as the point D or slightly lower than it. So I connect the points E and F.
I reproduce this design on the right side of the shape.
Step 13
Let's agree that the signal marking the shortest office of the girdle is called the point G. I connect the points G and F.
I repeat the same activity on the right side of the shape.
Stride 14
I add a brusk line to the lesser part of the diamond, as if I'm cut a pocket-sized function of the shape. Now we have the culet of the diamond (the tiny point at the base of operations).
Step 15
I divide the OA segment into vii parts and repeat the same activity with the symmetrical right one-half of the diamond.
Step 16
I draw a distinctive pattern that consists of wider and thinner parts. Actually, in that location is no strict rule for how a diamond girdle should look, and so you can exist equally artistic as yous wish.
I complete the girdle.
Pace 17
I draw a vertical dashed line from the signal F and mark the point of intersection with the upper line with the letter H.
And so I add another line, going from the corresponding bespeak on the right side; now nosotros become the point H₁.
Stride 18
I divide the side border line of the crown into three parts. The upper segment is marked with the alphabetic character I.
I add together a corresponding point on the reverse side of the diamond.
Step nineteen
I add together a line going from the point I to the prominence higher up the bespeak Eastward.
And then I reverberate this line to the contrary side of the cartoon.
Stride xx
I add a line going from the betoken I to the prominence above the point G. Then, as usual, I repeat the pattern on the right side of the shape.
Pace 21
I join the points H and I, and so I mirror the line on the opposite one-half of the diamond.
Stride 22
I add together the point O₁ where the vertical line from the bespeak O intersects the girdle, and a indicate O₂—where this line meets the tiptop border of the diamond.
I connect the points O₁, H, and H₁.
Step 23
I draw diagonal lines from the point O₂. The line on the left side is directed to the point Due east, but we don't demand it and the corresponding line to cantankerous the O₁H and O₁H₁ segments.
Step 24
In the previous step, we got a pocket-size shape that resembles a rhombus; now I mark the side point of this shape with a letter J.
I draw a line that connects the point J with the prominence above the signal E.
I repeat the same action on the opposite side of the diamond.
Step 25
I join the point J with the prominence above the point C, and then add a corresponding line on the right side of the diamond.
Pace 26
I outline the contours of the facets with the ink pen and erase the pencil marks. The diamond is complete!
Your Drawings Are Consummate
Congratulations—you did it! I promise that understanding the principles of designing a round cutting brilliant diamond will help y'all to create cute diamond artworks or fifty-fifty derivative models of gems.
Annihilation is simpler if it'southward approached with interest and perseverance. I wish you much inspiration; have fun and enjoy the procedure!
Source: https://design.tutsplus.com/tutorials/how-to-draw-a-diamond--cms-31000
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