How to Draw a Cool Diamond

Drawing a diamond may seem intimidating—any design of this gem is extremely complex. The practiced news is that in that location is a stiff logic backside the arrangement of the diamond's facets.

Mined rough diamonds are converted into gems through a multi-step process called "cutting". This process is traditionally considered as a delicate procedure that requires skills, special tools, scientific knowledge, and experience. The final goal is to produce a faceted jewel where the specific angles between the facets optimize the dispersion of white low-cal.

A diamond cut is a style or blueprint guide used when shaping a diamond for polishing; this notion refers to the symmetry, proportioning and shine of a diamond.

In this tutorial, we'll explore and stylize the nigh popular manner—a circular cut diamond—in 2 different foreshortenings.

What You lot Will Need

You lot will demand the following equipment to consummate this project:

  • a graphite pencil (I recommend using an HB or H type)
  • a pair of compasses
  • a protractor
  • a ruler
  • an eraser
  • an ink pen (an optional tool)
  • drawing paper
The art supplies for this project The art supplies for this project The art supplies for this project

1. How to Draw a Diamond in a Peak View

Step 1

I mark a indicate; allow's agree that its proper noun will exist the point O.

I use it equally a central point to describe a circle of an capricious radius. A pair of compasses is a nifty tool for creating an even circumference.

Marking a point and drawing a circumference Marking a point and drawing a circumference Marking a point and drawing a circumference

Step 2

I draw two perpendicular dashed lines going through the cardinal signal.

Adding the dashed lines Adding the dashed lines Adding the dashed lines

Step 3

I split each sector of the circle in half. An like shooting fish in a barrel way to exercise it is to find the angles of 45°, using the protractor. At present we have eight points of intersection with the circumference.

I also mark the points A and B to make further explanations visually clear.

Adding the sectors and points Adding the sectors and points Adding the sectors and points

I connect the points A and B with a dashed line, using a ruler.

Connecting the points Connecting the points Connecting the points

Step 4

I describe a perpendicular line going from the center of the circumvolve to the AB segment, and and then extend the line in the opposite management.

The point D marks the place where this line meets the circumference.

Adding another dashed line Adding another dashed line Adding another dashed line

Step v

I join the points of intersection with a dashed line to create an octagon.

Creating an octagon figure Creating an octagon figure Creating an octagon figure

Step 6

I divide the sectors of the circle in half once more.

Finding the one-sixteenth parts Finding the one-sixteenth parts Finding the one-sixteenth parts

Step vii

With a ruler, I measure out the length of the OB segment, and then notice its approximate ane-quaternary part and mark information technology with the point C.

Delight note that this value may vary—sometimes diamonds of the aforementioned design look different. Cutting a diamond is a science, simply information technology's also an fine art!

Marking a new point Marking a new point Marking a new point

Pace 8

With the compasses, I measure the length of the OC segment and add seven more points to other dashed lines, creating new segments of the same length as the OC is.

Adding new points Adding new points Adding new points

Footstep 9

I connect the points C and D.

Connecting the points Connecting the points Connecting the points

I join the indicate D with the point on the right side to create an angle or a elevation.

Creating an angle-like shape Creating an angle-like shape Creating an angle-like shape

I echo connecting the points; now we take a star shape.

Completing the set of lines Completing the set of lines Completing the set of lines

Step x

I overlay the dashed lines that are located betwixt the star's peaks with the unbroken strokes.

Outlining the facets Outlining the facets Outlining the facets

Step 11

I mark the signal E; it is located at an arbitrary distance from the circumvolve's center.

Then I measure the length of the OE segment and marker the new points that are equidistant from the center.

Adding new points Adding new points Adding new points

Step 12

I join the points C and E.

Creating a new line Creating a new line Creating a new line

I connect more points to create another star-like shape.

Completing the star shape Completing the star shape Completing the star shape

Step xiii

I connect the points E and F.

Connecting two more dots Connecting two more dots Connecting two more dots

I complete the set of segments that forms a new figure inside the circle.

Creating a figure inside the diamond shape Creating a figure inside the diamond shape Creating a figure inside the diamond shape

Step 14

With an ink pen, I outline the shape of the diamond and erase the subsidiary pencil marks. The cartoon is complete!

Outlining the contours of the facets Outlining the contours of the facets Outlining the contours of the facets

2. How to Draw a Diamond in a Side View

Footstep one

I draw a straight line, using a ruler. My line's length is ten cm—knowing the exact value is beneficial for the next steps because we volition be making some measurements.

Please exist sure to exit enough space for the lower function of the diamond.

Drawing a straight line Drawing a straight line Drawing a straight line

Stride ii

I add another straight line (the distance betwixt the lines is 5 mm) and connect them. At present we have a narrow, elongated rectangle—it's the draft shape for the diamond's girdle.

Drawing a draft shape for the girdle Drawing a draft shape for the girdle Drawing a draft shape for the girdle

Stride iii

With a protractor, I find the 45° angles and draw 2 lines. They will intersect at some point and create a bones shape of the diamond'southward pavilion.

The value of 45° is considered an platonic pavilion bending—information technology gives the best low-cal performance, but there are many examples that don't conform to the standard (deep or shallow variants).

Creating the shape of the bottom part Creating the shape of the bottom part Creating the shape of the bottom part

Step 4

It's time to construct the diamond's upper part, the crown. I find the angles of 34° (again, this value may be dissimilar) and describe two diagonal lines of 2.5 cm each.

Designing the sides of the crown Designing the sides of the crown Designing the sides of the crown

Step 5

I add a straight line to create the table of the diamond.

Completing the contours of the diamond Completing the contours of the diamond Completing the contours of the diamond

Step half-dozen

I depict a dashed line that divides the diamond in half. This will be our reference line to make sure that everything in the cartoon is symmetrical.

Adding a reference line Adding a reference line Adding a reference line

Step 7

I create the subsegments inside the OA segment. The get-go three parts have a length of approximately 1.6 cm, and the quaternary part is very short.

I also give the names A, O, and B to the points of the shape to make the demonstrations easier.

Adding the marks of the subsegments Adding the marks of the subsegments Adding the marks of the subsegments

Stride 8

Let's concur that the starting signal of the first subsegment of the girdle is the point C.

I connect the points B and C.

Adding a diagonal line Adding a diagonal line Adding a diagonal line

So I join the points on the opposite side of the shape, every bit if I'thousand mirroring the design.

Adding another line that is going from the same point Adding another line that is going from the same point Adding another line that is going from the same point

Step 9

I divide the CB segment into three approximately equal parts and mark the lower ane with the point D.

Finding the new point Finding the new point Finding the new point

Footstep 10

I connect the points D and O. And then I join the signal D with another point on the left side (information technology'southward the betoken E in the illustration beneath).

Adding two more lines Adding two more lines Adding two more lines

Step eleven

I reproduce this set of lines on the opposite side of the shape.

Reflecting the set of lines to the right side of the shape Reflecting the set of lines to the right side of the shape Reflecting the set of lines to the right side of the shape

Footstep 12

I add the point F; information technology should exist on the same imaginary line as the point D or slightly lower than it. So I connect the points E and F.

Adding a new point Adding a new point Adding a new point

I reproduce this design on the right side of the shape.

Completing the symmetry Completing the symmetry Completing the symmetry

Step 13

Let's agree that the signal marking the shortest office of the girdle is called the point G. I connect the points G and F.

Adding a new line Adding a new line Adding a new line

I repeat the same activity on the right side of the shape.

Adding a similar line on the oppisite side Adding a similar line on the oppisite side Adding a similar line on the oppisite side

Stride 14

I add a brusk line to the lesser part of the diamond, as if I'm cut a pocket-sized function of the shape. Now we have the culet of the diamond (the tiny point at the base of operations).

Creating a culet Creating a culet Creating a culet

Step 15

I divide the OA segment into vii parts and repeat the same activity with the symmetrical right one-half of the diamond.

Dividing the shape of the girdle Dividing the shape of the girdle Dividing the shape of the girdle

Step 16

I draw a distinctive pattern that consists of wider and thinner parts. Actually, in that location is no strict rule for how a diamond girdle should look, and so you can exist equally artistic as yous wish.

Starting the pattern of the girdle Starting the pattern of the girdle Starting the pattern of the girdle

I complete the girdle.

Completing the design of the girdle Completing the design of the girdle Completing the design of the girdle

Pace 17

I draw a vertical dashed line from the signal F and mark the point of intersection with the upper line with the letter H.

And so I add another line, going from the corresponding bespeak on the right side; now nosotros become the point H₁.

Adding the points Adding the points Adding the points

Stride 18

I divide the side border line of the crown into three parts. The upper segment is marked with the alphabetic character I.

I add together a corresponding point on the reverse side of the diamond.

Making the measurements and adding a new point Making the measurements and adding a new point Making the measurements and adding a new point

Step nineteen

I add together a line going from the point I to the prominence higher up the bespeak Eastward.

And then I reverberate this line to the contrary side of the cartoon.

Connecting the points Connecting the points Connecting the points

Stride xx

I add a line going from the betoken I to the prominence above the point G. Then, as usual, I repeat the pattern on the right side of the shape.

Adding more facets Adding more facets Adding more facets

Pace 21

I join the points H and I, and so I mirror the line on the opposite one-half of the diamond.

Drawing a couple of new lines Drawing a couple of new lines Drawing a couple of new lines

Stride 22

I add together the point O₁ where the vertical line from the bespeak O intersects the girdle, and a indicate O₂—where this line meets the tiptop border of the diamond.

Adding two derivative points Adding two derivative points Adding two derivative points

I connect the points O₁, H, and H₁.

Joining the points Joining the points Joining the points

Step 23

I draw diagonal lines from the point O₂. The line on the left side is directed to the point Due east, but we don't demand it and the corresponding line to cantankerous the O₁H and O₁H₁ segments.

Adding two short lines Adding two short lines Adding two short lines

Step 24

In the previous step, we got a pocket-size shape that resembles a rhombus; now I mark the side point of this shape with a letter J.

I draw a line that connects the point J with the prominence above the signal E.

Connecting the points Connecting the points Connecting the points

I repeat the same action on the opposite side of the diamond.

Mirroring the pattern Mirroring the pattern Mirroring the pattern

Step 25

I join the point J with the prominence above the point C, and then add a corresponding line on the right side of the diamond.

Completing the pattern of facets Completing the pattern of facets Completing the pattern of facets

Pace 26

I outline the contours of the facets with the ink pen and erase the pencil marks. The diamond is complete!

The result of drawing The result of drawing The result of drawing

Your Drawings Are Consummate

Congratulations—you did it! I promise that understanding the principles of designing a round cutting brilliant diamond will help y'all to create cute diamond artworks or fifty-fifty derivative models of gems.

Annihilation is simpler if it'southward approached with interest and perseverance. I wish you much inspiration; have fun and enjoy the procedure!

The result of our work The result of our work The result of our work

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Source: https://design.tutsplus.com/tutorials/how-to-draw-a-diamond--cms-31000

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